ccbc's artist interview series with Laleh Javaheri
Could you tell us briefly what you make?
I create hand-felted, hand-dyed mosaic wall pieces that resemble traditional tile or stone mosaics but with the unique qualities of felt. Lightweight and soundproof,
my pieces bring a cozy warmth to any space. Their soft texture and natural aesthetic make them perfect for a variety of interiors, and their flexibility allows for creative shapes and designs that wouldn’t be as flexible with traditional materials. I love how felt can harmonize with other natural elements like silk, wood, and cotton, adding depth and richness to my work. Each piece is crafted with care, combining colour and texture to create a stunning visual experience while offering the practicality of soundproofing—a blend of art and function.
What inspired you to make your pieces, or how, conceptually, did your work come to be?
My work draws deeply from nature—the textures of earth, the colors of changing skies, and the serene beauty found in the landscapes around me. Each piece is a 
reflection of these natural elements, layered with my personal journey and memories from my homeland. As an immigrant woman, I am moved by the textures of different cultures and experiences, weaving these into my art as expressions of resilience, identity, and belonging. My pieces are inspired by the blend of past and present, nature and memory—a mosaic of all that has shaped me.
Why do you make craft?
My journey in craft began with functional pieces—scarves, bags, garments, and jewelry—that served a purpose beyond aesthetics. I’ve 
always felt drawn to creating items that are both beautiful and useful, bringing warmth and meaning into people’s daily lives. Over time, my work gradually shifted from these wearable forms to more abstract expressions, like wall pieces that capture the textures and colors of nature.
Has your work evolved over time, if so, what has that looked like?
As I evolved, I discovered that even these abstract pieces could serve a purpose by enhancing spaces, softening acoustics, and providing a sense of calm. The transition to wall art allowed me to explore themes of identity and belonging on a larger scale. Now, each piece is a blend of beauty, purpose, and personal story—a reflection of both my journey and the ever-changing landscapes that inspire me.
Are there ideas, values, beliefs, or concepts that your work communicates? Could you tell us a bit more about that?
Embrace your unique voice and trust in the power of your creativity. Your
experiences and stories are what make your work meaningful. Focus on both beauty and function— create pieces that serve a purpose and bring comfort. Remember, every piece you make contributes to a larger community of artists. Keep creating with passion, and know that your work matters.
What would you say to emerging or young craft artists?
My work is grounded in the belief that, like pieces in a mosaic, each person is a unique and essential part of a larger whole. I see every individual as bringing their own colors, textures, and stories, which together form the richness and diversity 
of our communities. It’s our differences that create vibrancy, giving depth and beauty to the bigger picture. Through my mosaic-inspired pieces, I hope to create a mirror— something that invites viewers to see themselves not only as individuals but as integral members of the communities we’re building together. When people look at my work, I want them to feel connected to something larger, to see themselves reflected in the complexity and harmony of the mosaic. Each piece, like each person, holds unique value and contributes to the entire composition, reminding us of our place and significance within the world. My work is a celebration of this interconnectedness and a reminder of the value each of us brings.
Laleh Javaheri
Our intention with this series is for readers to connect with the incredible artists in our space, consider craft through the lens of an artist and encourage people in their own journey with craft. The CCBC’s Artist Interview Series is published on the 15th of each month.